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Dirk Stoop
Dirk Stoop (ca 1615–1686) was a widely travelled painter of the Dutch Golden Age. Alternative versions of his name include ''Dirck Stoff'', ''Theodorus (van der) Stoop'', ''Thierry'' (the French version) and ''Rod(e)rigo'', by which he was known in Portugal.〔(Dirk Stoop ) at the Rijksbureau voor Kunsthistorische Documentatie〕
==Biography==
Stoop was born in Utrecht. His father was the glass painter Willem Jansz. van Stoop and his brother Maerten was also a painter, especially of war scenes. According to Houbraken, his father had also been the first teacher of Abraham Diepraam.〔 (Dirk Stoop Biography ) in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature〕 Houbraken considered the elder Stoop to be a good horse painter.〔 This younger Stoop was known for Italianate landscapes with hunting parties, views of ports, cavalry scenes, history paintings, still lifes and altar pieces, which were valued highly in his time. He was also an engraver and among his productions during a stay in England in the 1650s were some of the plates for the second, luxury edition of John Ogilby’s ''Aesop’s Fables'' in 1665, and a series of prints of “12 horses”.〔(Print of the frog and the mouse ) in the collection of the Rijksmuseum from ''The Fables of Aesop Paraphras'd in Verse: Adorn'd with Sculpture and Illustrated with Annotations'', Londen, John Ogilvy, 1665〕〔(2 versions of a horse print from the series of 12 ) in the British Museum〕
In 1638 Stoop was a pupil in the Utrecht guild. He then went to live in Italy, probably between 1639 and 1645. During a subsequent visit to England he painted the panoramic Restoration procession of King Charles II (1660).〔(Nicole Kipar site )〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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